List of best fiction series

There's nothing like the thrill of discovering an amazing novel that's the first in a series, knowing thousands of pages of an alternate world lie ahead of you.

It's interesting seeing how characters grow as authors themselves mature through years and sometimes decades; it gives you an almost personal connection to the author, especially if read in real time. Plus there's a real sense of comfort dipping into a familiar world at will, which lends itself to rereading.

Not to mention a good series gives you something to hunt bookstores for.

Below is the beginning of a list of my favorite fiction series; it's weighed toward science fiction, because the genre tends to spawn series and because I seem to have read a lot of it in recent years.

I'm generally defining series as any multiple books by one author containing commmon characters, and/or internal references to previous works. (Number in parentheses is how many times I've read the series).

-Patrick O'Brian's Aubrey/Maturin historical fiction series (once)
Nominally about a British captain and ship's doctor during the Napoleonic wars, as I've written before these twenty books are like a male version of Jane Austen's novels, with all the insights into character and humor that her works contain. They're among the best contemporary writing of any kind I've read; it's a shame O'Brian died recently, just as the books were gaining a significant mainstream following (with the likes of a Times reviewer tagging it the best historical novels, ever). This is my standard suggestion for friends looking to get some guy (especially) in their life a gift. The first chapter of the first book speaks for itself.

-J.R. Tolkien's Lord of the Rings fantasy series (four/five times)
Britain may have long lost its status as a world power, but it's still dominant when it comes to creating alternate worlds--and Tolkien's three LOTR novels (plus the Hobbit) have long been the gold standard. His Middle Earth is so detailed it feels as if the novels are just one path through it; now if they could only make a decent movie out of it.

-Issac Asimov's Foundation science fiction series (twice)
This trilogy turned heptalogy (plus there are an additional eight novels roughly set in the same universe) follows a series of heroes as they meddle with the politics of man, robots and empires 50,000 years in the future. They can be a bit comic-booky, but are by far the most influential of science fiction works--everything goes back to Asimov. It's even spawned the name for at leastone real world tech company .

-Salman Rushdie's Midnight's Children/Shame/Satanic Verses fiction series (twice, once, once)
I habitually cite Rushdie as among my favorite contemporary writers, on the basis of the three books above (which may not technically be a series, but to me their magical realism exploration of religion, identity and India are strongly interdependant) and his "children's" book, Haroun and the Sea of Stories. He's startingly yet casually insightful--I always feel like any one of many of his seemingly-throw-away lines would be the basis for an entire story by a lesser writer. Rushdie's overflowing in every sense of the word; nobody belongs in Shakespeare's category, but when I read Rushdie I have a similar sense of multiple thoughts dancing on the head of a pin.

-Orson Scott Card's Ender science fiction series (twice for Ender's Game, once for rest)
These eight novels (and counting) have grown in ambition and scope along with the boy that first appeared in Ender's Game, set at a training school for child soldiers around 2165. Card, in my view, is our leading science fiction thinker (along with Neal Stephenson). He explores honestly and without blinders what we call multiculturalism, which is simply the universe in his books. Ender's Game is in a class of its own because of its inventive plot, but the themes explored in Speaker for the Dead is more representative of the author Card has become.

-Naguib Mahfouz's Palace Walk fiction series (once)
Until his death almost exactly a year ago, Nobel prize winner Mahfouz was considered the leading writer of the Arab world; in my estimation, he's also one of the (necessarily) few writers who will be read generations from now--the way he captures character and evokes emotion is usually compared to Dickens. His Palace Walk trilogy, set in 1950s Cario, is pre-Islamic in the sense that although the specifics of that religion plays a role in the series, the themes are broadly universal ones of love, family and man's place in society. It's unfortunate the trilogy isn't required reading in American schools, instead of some of the token multicultural works that are notable only for their clumsiness.

-Ursula LeGuin's Earthsea fantasy series (twice for original trilogy, once for rest)
I think LeGuin's the most literate of science fiction writers, a field traditionally known for interesting ideas embodied by wooden characters via clunky prose. I don't think it's a coincidence that she's one of the few female sci fi writers; her grasp of character and nuance is poetic. She reminds me of Georgia O'Keefe in how varied her works are in their greatness, from the stark exploration of ideas in the Left Hand of Darkness to the charming world of dragons and people spun in the five Earthsea novels and a collection of short stories. As is typical in series, she wrote the initial trilogy in six years, then after they found acclaim wrote the final three works after a 16-year gap. Incidentally, LeGuin wrote an interesting article about her unhappiness with the Sci Fi Channel's decision to whitewash Earthsea in their television miniseries.

-Frank Herbert's Dune science fiction series (twice for first book, once for rest)
I've only read the first three of the six ecologically-themed Dune books Herbert wrote, all set in the distant future and centering around the species-altering 'spice' of a desert planet (with, I think, aspects of Islam/Christianity). The drop-off between the amazing first and very good second book is noticeable, and becomes severe by the end of the not-bad third book.

-J.K. Rowling's Harry Potter genre-busting series (three or two times for most, once for last)
I'm curious as to whether this becomes a series all kids grow up with, perhaps alongside (or muscling out) the likes of Narnia. I definitely plan on reading it to my kids... well, at least the first few of the seven.

-Phillip Pullman's His Dark Materials fantasy series (twice)
Compared most often to his arch-nemesis forebearer C.S. Lewis, Pullman can stand on his own--and for an adult, at least, I think his Paradise Lost-inspired trilogy about teens, their daemons and their souls is more rewarding, if less traditional. Like many of the authors on this list, Pullman follows in the footsteps of H.G. Wells in asking you to suspend disbelief about one thing; once you accept his conception of a world in which people's partner animals embody a literal second half to their selves, everything else flows with internal logic. Plus, his kids are neither annoying mini-adults nor infantile vessels for cloying set pieces.

-John LeCarre's George Smiley thriller novels (twice for some, none others)
I've often said LeCarre is the most literate writer of thrillers (more so than Graham Greeene even), especially once you get past the first two hundred establishing pages. He's best known for The Spy Who Came in From the Cold (which is the one book I'd recommend to a space alien who wants to understand the Cold War), but since this is a list of series he's here for the five spy novels that center around Smiley (only three of which I knew about).

-Arthur Conan Doyle's Sherlock Holmes detective series (twice)
As I've written before, I don't think the four novels that make up the Holmes series quite live up to their reputation. But the stories are so inventive and the sense of 19th century Britain so exact that I still put Holmes at the top of the detective genre.

-Christopher Paolini's Inheritance fantasy series(twice)
I guess Paolini's 24 by now; he was just 19 when Eragon, the first of a planned trilogy about a boy/then young adult and his dragon, came out. As I wrote before, there are traces of his age in his at-times clunky writing, but he's got a first-rate imagination. The last book in his series is due out sometime soon (hopefully).

-John Fitzgerald's Great Brain historical fiction series (few times, as a kid)
These eight (! I only thought there were three!) books set in frontier Utah about a boy and his active brother may have been my favorite growing up. They had an irresistible mix of humor and classic action, and lots of interesting scheming.

-Lawrence Block's Bernie Rhodenbarr detective series (once for most)
I read most of Block's ten books about a suave Manhattan-based burglar as a kid; they convey pretty well what a certain strata of people are like in NYC, with the sense of skimming lightly through life, conversant with culture and the arts even if not drinking deeply of them. These are a fun read; they're on the list mainly for nostalgic reasons, not great literature but about the best of what's become a horrific detective genre.

-C.S. Lewis' Chronicles of Narnia fantasy series (twice)
As I've mentioned before, I reread these books recently and was a bit disappointed that, in contrast with my glowing childhood memories, the Oxford prof's seven books about kids whisked into a fairytale land weren't that good, and were perhaps actively harmful. It's on the list anyway because I think they're worth reading, maybe as a kid and in conjunction with Pullman's works.

-Anne McCaffrey's Dragonriders of Pern fantasy series (twice some, none most)
I thought about not putting this series on the list, because McCaffrey (and now her son) has essentially taken a great first few novels and spun them into dross, at 18 works and counting. But I loved reading Dragonflight/quest/song as a kid, and all three held up upon more recent rereading. (It's interesting, by the way, how Wikipedia's entry on Pern is barely distinguishable from its entries on real countries/planets; it's like a dry run for the discovery of alien civilizations).

-Other series that I've liked, but would put below the 'classics' tier:

-Roger Zelzany's Amber sci fi series
-Stephen Donaldson's Thomas Covenant, Unbeliever fantasy series
-James Herriot's All Creatures Great and Small veterinary series
-Tom Clancy's Jack Ryan thriller series
-Ian Fleming's James Bond thriller series
-Larry Niven's Ringworld sci fi series (I've read just the first two of four, the original novel's first half was great, rest wasn't bad)
-Kim Stanley Robinson's Mars sci fi series
-And a whole host of other childhood favorites, like Tom Swift, Encylopedia Brown, Beverly Cleary's, works, etc.

On a related note, there's a running users-generated list of the top 100 Sci-Fi Books; it includes ever sci fi series I've listed, although not in the order which I rank them.

I've read all of the top twenty save two (#4 Hitch Hiker's Guide to the Galaxy and #19 Hyperion), all of the top fifty but ten others... odd, especially since I never read any science fiction as a kid.