Women at bat

American Idol's back with the 'girls', eight of whom are in their twenties. I'm beginning to develop a theory that Ryan feels a need to slightly diminish everyone around him, stemming from his Napolean complex.

Simon tells them the biggest mistake they can make at this stage is to not stand out--I'm not so sure about that.

Gina Glocksen up first; given that she did well last week but was among the lowest vote-getters, she's gonna have to knock it out of the park. In ugly promish burgundy dress; sings a prom song too, Alone. Bit off-key; second half if better from an energy point of view, totally rocks it out. But she's screeching and off-pitch, so hard to listen to. Randy likes the song despite pitch problems, Paula continues liking her--Simon says good choice but vocals felt forced, bit confused as to who you are, wants something more edgy and a dress style that fits that.

Ryan chats up Lakisha Jones, who says she's blocked out the media buzz and is nervous. Alaina Alexander, who looks great in a slip-like rich blue outfit with sequins. Does Dixie Chicks' I'm Not Ready to Back Down; good passion, and pacing; voice is good, not great, seems a bit out of breath. Weird foot movements; all in all, pretty good. Randy says it started off good, but pitch problems, a mess--she sticks out her tongue at that. Paula says the same, but not nearly that bad. Simon says you ran out of steam, lost it halfway through. Oh-oh, doesn't bode well for someone I like; she asks for advice from the judges, just gets them bickering about Simon's slam on Randy.

Lakisha up; dedicates it to her 90-year-old grandmother, who does not look nearly that old. Strong genes run in that family. Big orange top, small black skirt. Midnight Train to Georgia; very confident and a really nice tone to her voice. Doesn't blow it out like I thought she would, voice is under control, as is the performance--which isn't that stellar, actually. She's definitely not going to win; will get pretty far, but ultimately she's not an Idol. Randy says it started out rough, but good overall. Paula loved it; Simon says you're a great singer, but not as good as last week, gotta act like a big star--didn't like the outfit, either (he's right).

Melinda Doolittle, who dedicates her song to her vocal coach and stylist, who are also her close friends. All blue velvet outfit; does Funny Valentine. Whoah, nice big note; it's a very jazzy, intimate performance, slows the pace down and plays with the phrasing. Gosh, her voice really shines; so comfortable up there. Just a pro, gives it her all, especially at the end. Audience really likes it; Randy says it was unbelievable, up there with Lakisha as the one to beat. Paula calls it astounding, likes the phrasing; Simon says simply, that was incredible. The best vocal we've had this year; repeats his line, that she has great talent but no ego, a breath of fresh air. She's got this like stunned look in her eyes.

Antonella Barba, in a great 70ish sundress, doing Celine, Because You Love Me; oh-oh. Awww, she dedicates the song to her brother, Vincento; such a Jersey girl. She seems to be having mike problems, goes in and out; also rushes a bit. Slightly off-key the entire time too--but performs it well; doesn't do a bad job on the high notes. Randy says you're drop-dead gorgeous, but totally the wrong song, too big, pitch all over the place; Paula says it was a lot better than last week. Simon says vocals weren't good enough, worse than last week. She makes a random attack on Simon about Jennifer Hudson, he defends himself, rightfully, by saying it was the audience's choice, they put her on the show to begin with. She's definitely got spirit; maybe that, and her looks, and the notoriety, are all she has at this point--it'll be enough to push her to the top 12.

Back, Ryan makes a funny joke, ten girls on the stage tonight and Sanjaya has better hair than any of them. Ah, my fave, Jordin Sparks; another brother dedication, the photos are hilarious, she breaks down talking about it. What a great person; in bluish promish dress, looks elegant. Oh gosh, she can sing--so smooth, and performance is great, doing Reflection from Mulan. It just soars out effortlessly, it's almost unfair. A tiny bit rushed, maybe; but I really enjoy listening to her. She's sobbing at the end; Randy says a few pitch problems, but overall unbelievable story. Paula says there's something about you that's infectious, you're just a good human being who'll be around for a long time. Simon says it wasn't your best, but excellent compared to everyone else--massive potential at 17. Wow, even her dad is tearing--and he's an ex-NFL player!

Stephanie Edwards, whose family videotaped a lot of her pre-audition moments. In elegant white gold gown; seems to be rushing a bit, may just be the song, which I don't like, You Set Me Free. Kindof a flat performance, like she's trying, but it's just not connecting with me; hits a big note, but I don't know. A bit like Fantasia, but without the interesting weirdness. Definitely can sing, ends on a huge note--but I don't know. Randy says good, but Beyonce-lite, be yourself; Paula says you were fantastic, brilliant--says the audience is silent cause they disagee with what Randy says, but I disagree. Simon agrees with a pleased-looking Paula; thought it was terrific.

Next, Leslie Hunt, who just seems to be on the wrong show--a nice person and all that, but there are literally thousands similar to her. Whoah--I like her song, though, Nina Simone's Feeling Good. Very still, and controlled, and her voice works with it. Dance movements are totally whack; but she can sing, in brown top and odd whiteish skirt. I like it, she's in control; skatting at the end is a bit nuts, but overall she went for it and nailed it. Randy says it was pitchy, but liked the beginning, and that she's back in her jazzy element; Paula echoes, Simon slams Paula, says her scatting at the end reminds him of Paula talking. Simon says you're lost among the big voices, your best probably won't be enough. Plus, although he doesn't say it, she's just a little weird.

Haley Scarnato, who runs out all nuts, paisley top and leather pants--Queen of the Night; man, it's a mess. She's like forcing it, rushing, and voice is all over the place. Dance movements are just embarassing, like something you'd see at a bacherolette party. Weird song structure, very disjointed, she's just echoing her backup singers for a lot of it. Ugh. Randy is just cracking up, says there's more background parts than lead vocal parts, Simon sticks in that's why she chose it; didn't like it. Paula says better than last week; Simon gives her an A for effort, but manic verging on insane at one point. Calls her one of two or three very vulnerable girls tonight, leaving her looking devastated and crying.

Close with Sabrina Sloan, who in what can't be a good sign I forgot existed. No pre-chatting with her, straight to the tape. Which is low-energy and boring. Sleek black outfit; sings He Fills Me Up, and it's just pedestrian. Totally non-memorable; she has a big voice, and puts her all into it, but for whatever reason I just don't care; pitch problems, as well. It's like anything you can see anywhere in Vegas or Orlando. Randy says nice overall, big voice; Paula loves her, calls her a big contender. Simon says good, but don't confuse power with shouting; bad song choice, shouldn't be comparing yourself to Whitney; you'll be back next week. Adds you're a great singer, will be a player--but not jumping out of my chair.

At this stage, you've either gotta be great, or really interesting. I think Jordin, Lakisha, Melinda, and Antonella are locks to make the finals. Everyone else is fighting for the remaining two spots--I think Haley is gone this week for sure, Gina probably with her or else Leslie with her known lack of support. My guess is Stephanie will get the other spot; which means the last spot goes to whoever can step it up next week.

Jordin Sparks
Melinda Doolittle
Lakisha Jones
Leslie Hunt
Alaina Alexander
Stephanie Edwards
Antonella Barba
Sabrina Sloan
Gina Glocksen
Haley Scarnato

Boys are back

Top 10 guys up on American Idol; starts out congratulating Jennifer Hudson, twice. Not sure he wants to set up the comparison at this point. Sanjaya comes out with a fedora, Randy's spotting Chinese on his shirt and tells them not to be bad again--this should be an interesting night.

Oh no; they're supposed to dedicate their performance to someone who inspires them; mixing sentiment with song selection never works out. Phil Stacey up first, they show some clips of him with his Naval unit--interesting that he didn't weat the uniform at the audition stage. Sleek white with black leather pants look; he's definitely boosted his game, nice, mellow voice on Since You've Been Gone. Kindof boring for me, all synthesizers and almost a smooth jazz feel, but it fits him pretty well. Yowls near the end; good stage presence, sporting a cross over his dogtags. Randy liked him, Paula too. Simon says you're popular and a nice guy, but a completely unoriginal voice.

Back, a very smooth-looking Jared Cotter in a open-shirt suit next to Ryan (with sneaks). Talks to Sundance, says after singing last week his peeps are telling him not to be so bad. Cotter gets an extended video segment it seems like; whoah, starts out with a nice Marvin Gaye song, Let's Get it On, what a voice, slow and soulful and totally controlled. A bit off-key, timing seems a little off at times and voice is a bit thin; but nice performance, some passion. Randy's laughing, says he liked it even with the pitchiness; they're all joking around, Paula says that's the kind of song you don't have to push, pun intended, which turns into giggles; Simon says nice try, but a bit like the Love Boat. To which Jared responds, smilingly, that would've been a great Love Boat, man.

A.J. Tabaldo, sweet guy; black vest/green shirt/jeans. A very interesting performance, it's like something someone in drag could do on Broadway--kindof a strange song choice, he vamps it up too. A bit amateurish, vocal quality isn't great in my view but I was listening the whole time. Randy says it was a lot better than last week, showed off some skills; Paula says very nice, you have a really good voice. Simon says that was nearly very good, you made yourself stand out, looked strangely comfortable doing that. Heh heh.

Sanjaya Malakar next, with an earring no less--man, this really is a new generation. Good energy in the air, Ryan says; he dedicates the song to his grandfather. Super-cute baby pictures, says he inherited his wedding ring, wears it for support. Burgundy shirt, dress pants--you can tell he's pretty nervous, rushing a bit. Stepping Out; voice is thin, doesn't fill the room at all. Oh, poor Sanjaya, the crowd is almost totally silent--it's a bit amateurish. Toward the end, he pushes it out a bit; some whistling on his mike, though. Randy says it was like a bad high school talent show, didn't work for him at all, very weak; Paula says you were in pitch, but odd song choice. Simon says it was a like ghastly family performance--weak and a bit weird, no impact, bad song choice. Asked why he picked it, he says he sang it as a classic song to dedicate to his grandfather; he'll stick around, has a big fan base, but at some point he's gonna have to do something, and get past his nerves.

Chris Sligh, who apparently is married--he says most people have no idea how he coerced her to marry him; it's a good side of him. Sportcoat and jeans, lotsof poofy hair; doing Trouble. It's good--nice compelling quality to his voice, not much in the way of performance but it's appropriate for the song, very soulful and obviously heartfelt. Goes over to her near the end, energetic ending, it's all good. Randy liked it, nice big voice; Paula liked it too, a bit pitchy and timing a bit off. Simon says tonight, you're a very good singer.

Nick Pedro, continues the odd trend of the guys highlighting that they're not single; sheesh, don't these people know who votes? Fever; in sportcoat, turquoise shirt and dress pants--nice vocal tone comes back, good choice. A bit lacking in energy to start; earnest and pretty relaxed, they catch Simon snapping his fingers. Pretty professional I'd say, not nuts about the song itself. Why's everyone picking these old songs? Randy says nice, you went back to your cool, smoky vibe; pitchy and a bit rushing, but good; Paula loves his tone, just go for it. Simon says it was good, lacked charisma for the song, you look like you just came straight from the office; fix your charisma issue.

Blake Lewis, who actually dresses his age, like some skateboarding guy. Gosh, this night is dragging... nothing so amazing yet. Good kid, sincere dedication to his folks. Nice song choice, Virtual Insanity, he's a bit breathless, but it all feels real. Does some beat boxing halfway through, interesting dance moves. Very comfortable with the crowd. Randy likes it, Paula too; Simon doesn't--first part was copycat, off the video; second part was good, third part wasn't good, no originality, very disappointed. There's a big fuss over whether it was original or not, it's just ridiculous.

Brandon Rogers, who picked his song on the basis of its words saying exactly what he wants to to his grandmother... sheesh, sweet but not a great strategy. Pink shirt, jeans; Time After Time; I really like the song, so enjoy his singing, but it's just pretty straight-forward. Nice vocal tone; a bit lacking in energy because of the song--just nothing remarkable. Randy says it did nothing for you vocally, though; Brandon responds to Randy right away, odd. Paula says she liked it, no need to oversing, beautiful voice; Simon says it's a singing competition, Randy's right, you have got to come out and wow us with all your talent, you didn't. He wishes his dad's a happy birthday--Simon makes fun of it, says it's his mum's birthday in November, then adds he loves puppies; he's totally right, I mean, grab us, wow us--if all you wanna do is use this as a platform to say or do whatever, or express yourself--I guess you'll be fine with not winning.

Chris Richardson, dressed like a normal kid, says he's doing Geek in the Pink. He does the same energetic bobbing as last week, but I like it; totally fits who he is, even if he keeps jerking his head around. Swallows his words toward the end, running out of breath. Randy really likes it; Paula too, especially that he dedicated for his grandmother. Paula somehow finds a paper valentine which she sticks on Simon; he says best tonight, by a mile.

Close with Sundance Head, who's got a newborn son, Levi. Gosh, what an old group of guys this year; tears up when talking about how he's missing stuff with his son, just wants him to have a good shot at life. Whoah, a ton of energy, Mustang Sally; pajama-like shirt, jeans. Is really busting out with the voice tonight; the song itself is only okay for me, but he really puts his all into it, even a little JPL-style-dancing. Randy loves it, that was hot; Paula says great range, that was like the best vocal we ever heard (whaaaat?!) Simon likes it, glad that you're back; but let's not get nuts, easy song to sing, but you can do better.

They close with an extended commercial for Are You Smarter Than a Fifth-Grader; sheesh.

It's hard for me to pick who I think is going home--unlike most weeks, I don't think the ones I liked least will go--Sanjaya's a likeable guy and has a big fan club, Sundance has support and did well according to the judges. I guess I'll pick Brandon and Nick, on the basis of both not seeming to have much of a fan base--AJ wouldn't surprise me either, anyone else would.

As for the guys overall, I think Sanjaya, Chris Sligh, Blake, and Sundance are locks to make the finals; with Jared likely to get the other slot. Which leaves everyone else trying to knock it out of the park next week to get that last spot.

Chris Sligh
Chris Richardson
Blake Lewis
Jared Cotter
Phil Stacey
Nick Pedro
Brandon Rogers
A.J. Tabaldo
Sundance Head
Sanjaya Malakar

Godless people

I'd say, particularly in light of the last paragraph, the tragedy hasn't been averted in German.

Smoke bomb thrown into Jewish kindergarten in Berlin , European Jewish Press: A tragedy was avoided on Sunday after a smoke bomb, thrown through a window of a Jewish kindergarten in Berlin, failed to ignite.

However, the school, located in a northwest neighbourhood of the German capital, was not spared by the spray painting of swastikas, other Nazi symbols and anti-Semitic phrases, such as “Auschwitz,” “Juden Raus” (Jews, get out) and “Sieg Heil”, on its outer walls, as well as on toys that had been lying around in the school’s playground.

A police spokesman said the attack did not cause serious damage or endanger children or staff at the school.

Berlin’s Interior Minister Ehrhart Körting condemned the attack as a "cowardly act" and called it “a particularly brutal one…one that had taken anti-Semitic acts to a new dimension”. ...

Because the location had only been considered as temporary, the property was not secured in the same way that other Jewish buildings.

Instead of round-the-clock police protection, security guards came only in hourly intervals.

This, for me, is an example of a telling detail that illustrates how deeply anti-Semitic Europe still is, despite the best efforts of many Europeans to change their society.

I mean, my gosh--what kind of a country is it when a minority group needs round-the-clock police protection?!

Is it any wonder that Muslims living in Europe fear they'll never live normal lives there?

Uncredited photo from EJP.

Our world

There's a tone many adults use when praising a child (or someone handicapped) for something they find noteworthy. Vowels are exaggerated and words stretched out, pitch rises; and behind what's often a genuine attempt to make the recipient feel good is a sense of, how great am I for noticing something others are ignorant of.

You see this tone pop up all the time in articles about the achievements of African Americans, or women. It's often ludicrous, as the writer bends over backwards to say positive things, to the point you wonder why they don't just tell it straight, we'll get it.

Sometimes, though, I sympathize with the reporter and shake my head at how screwed up our society is that Times readers need the reassuring superlatives to paper over their engrained bias.

John Noble Wilford has an interesting article in the Times,
In Medieval Architecture, Signs of Advanced Math. Comments in [brackets] are mine.

In the beauty and geometric complexity of tile mosaics on walls of medieval Islamic buildings, scientists have recognized patterns suggesting that the designers had made a conceptual breakthrough in mathematics beginning as early as the 13th century.

A new study shows that the Islamic pattern-making process, far more intricate than the laying of one’s bathroom floor, appears to have involved an advanced math of quasi crystals, which was not understood by modern scientists until three decades ago. [I wonder if the Times would've raised installing double panes in your kitchen in an article about the creation of stained glass windows in churches?]

The findings, reported in the current issue of the journal Science, are a reminder of the sophistication of art, architecture and science long ago in the Islamic culture. They also challenge the assumption that the designers somehow created these elaborate patterns with only a ruler and a compass. Instead, experts say, they may have had other tools and concepts. ['Sophistication' reads nicely on the surface, but underneath is the same feeling you get when Senator Biden calls Barack Obama 'articulate'.]

Two years ago, Peter J. Lu, a doctoral student in physics at Harvard University, was transfixed by the geometric pattern on a wall in Uzbekistan. It reminded him of what mathematicians call quasi-crystalline designs. These were demonstrated in the early 1970s by Roger Penrose, a mathematician and cosmologist at the University of Oxford.

Mr. Lu set about examining pictures of other tile mosaics from Afghanistan, Iran, Iraq and Turkey, working with Paul J. Steinhardt, a Princeton cosmologist who is an authority on quasi crystals and had been Mr. Lu’s undergraduate adviser. The research was a bit like trying to figure out the design principle of a jigsaw puzzle, Mr. Lu said in an interview.

In their journal report, Mr. Lu and Dr. Steinhardt concluded that by the 15th century, Islamic designers and artisans had developed techniques “to construct nearly perfect quasi-crystalline Penrose patterns, five centuries before discovery in the West.”

Some of the most complex patterns, called “girih” in Persian, consist of sets of contiguous polygons fitted together with little distortion and no gaps. Running through each polygon (a decagon, pentagon, diamond, bowtie or hexagon) is a decorative line. Mr. Lu found that the interlocking tiles were arranged in predictable ways to create a pattern that never repeats — that is, quasi crystals.

“Again and again, girih tiles provide logical explanations for complicated designs,” Mr. Lu said in a news release from Harvard.

He and Dr. Steinhardt recognized that the artisans in the 13th century had begun creating mosaic patterns in this way. The geometric star-and-polygon girihs, as quasi crystals, can be rotated a certain number of degrees, say one-fifth of a circle, to positions from which other tiles are fitted. As such, this makes possible a pattern that is infinitely big and yet the pattern never repeats itself, unlike the tiles on the typical floor.

This was, the scientists wrote, “an important breakthrough in Islamic mathematics and design.”

Dr. Steinhardt said in an interview that it was not clear how well the Islamic designers understood all the elements they were applying to the construction of these patterns. “I can just say what’s on the walls,” he said.

Mr. Lu said that it would be “incredible if it were all coincidence.”

“At the very least,” he said, “it shows us a culture that we often don’t credit enough was far more advanced than we ever thought before.”

Ah, the great we/them dichotomy, which the Times often uses without qualifying only when it relates to the non-Western world.

Let's say Mr. Lu was talking about recent American discoveries that point to the greatness of French culture; the Times would've run his quote as 'we [in the U.S.] often don't credit enough'--it'd have been ludicrous to run it straight.

So why don't they insert here 'we [in the West]', instead of using the universal 'we'? I mean, in the Middle East, if anything, they credit too much their past culture.

If the Times is gonna insist on using the universal 'we' when they really mean we in the West, they should at least stop pretending to be a universal source of news.

Maybe a disclaimer on their website?

Photo of a quasi-crystalline Penrose pattern at the Darb-i Imam shrine in Isfahan, Iran by K. Dudley and M. Elliff for the Times.

Oscar-gazing

-Observations from the red carpet: J.Lo has quite an interesting outfit, Ryan Seacrest is pretty good as host (although he flashes his temper at his co-hosts who are indeed total imbeciles), Kate Winslett is genuinely cool, a lot of Hollywood stars have no idea how shallow they are, adapting football telestrator technology to Oscar fashion works; and Penelope Cruz is My Fair Lady incarnate.

-The clip of past foreign language film winners is about as affecting a short film as I can remember the Oscars ever showing. Maybe in the 21st century it'll truly become a celebration of the best in world cinema.

-Glad Jennifer Hudson won; wish people would stop thinking American Idol's audience made a mistake not voting for her--most of them didn't watch the show then, so have no idea what they're talking about. It's like going after Michael Jordan's high school coach for not starting him--he simply wasn't ready yet (and Hollywood shouldn't fool itself into thinking the caliber of an Idol winner is so far below that of an Oscar winner--heck, not when the likes of Cuba Gooding Jr. has a gold statue).

-Nice to hear Mandarin again from the stage, as Ruby Yang wins for The Blood of Yingzhou District.

-I'll bet somewhere Bill Clinton can't believe between the two of them, it's Al Gore who's now officially Hollywood royalty. I no longer think, incidentally, that Gore will run for president this year. He looks like a Baldwin brother at this point; you've got to be fit to run (no joke).

-Am now 10-5 in my Oscar pool.

-Watching Ennio Morricone win his honorary Oscar--if Hollywood wasn't so insular he'd have long ago won for The Good, The Bad, and the Ugly (or its two sister films); or Once Upon a Time in the West--makes me think not all Oscars are created equal. His caps a long, clearly heartfelt career; just how he holds the Oscar, dispalying it for the crowd, you can tell how very much it means to him. It's interesting watching Clint Eastwood play translator; makes me think about what an unexepected person he is.

-Whoah, Jack with a shaved head could be the poster child for AARP.

-I've always liked Ellen DeGeneres, I'm enjoying her as laid-back yet earnest host so far.

-J.Lo is headed toward Elizabeth Taylor territory, as she introduces the Dreamgirls cast doing some of their songs. Jennifer Hudson shows how much of a difference a little confidence can make, who'd have believed she'd look so comfortable on the world's biggest (for now) stage. Whoa, Beyonce appears out of a literal hole in the stage; it's like Venus appearing out of the sea--nothing beats a live performance, not even at the Oscars.

-In what's got to be one of the nuttiest co-host pairings, Queen Latifa and John Travolta come out and crack wise before announcing an upset in Original Song, I Need to Wake Up, by Melissa Ethridge (I guess the three songs from Dreamgirls split the votes, or else the Academy really is as white and out-of-touch as feared). She thanks her wife--that's gotta be an Oscars first, right? And another heartfelt thanks for Al Gore. Man, centuries from now historians might point to those few hundred voters in Florida as the most important of all time, as much because of the environmental damage the last 6 years as the international relations damage.

-Will Smith tells us the common thread in American cinema is there is no common thread, it's all over the place. It's true of us in every field, actually. Then follows an interesting collection of clips, with the common theme of 'America', which means it's about everything. Followed by--because in Hollywood craft has been replaced by unwitting irony--Kate Winslett. She names The Departed the winner for film editing, which means it'll win best picture/best director I'm guessing. It's a very unHollywood winner, Thelma Schoonmaker; looks like an older woman from any town in America, kindof cool.

-Jodie Foster, with her wonderful only in America accent, introduces the annual clip of Hollywood people who have died. This is always one of the best-made parts of the telecats; Glenn Ford, Don Knotts, Joe Barbera, June Allyson, Maureen Stapleton, Jack Palance, Robert Altman among others....

-Ellen comes back and does a funny bit pretending the show is over, and within schedule. Ah, time for the big four. First, leading actress--all of whom are people I like; Cruz, Dench, Mirren, Streep, Winslett. Mirren, of course, wins. It'd be great if someone did a movie with all five. She's, of course, appropriately British in her remarks; even to her (slightly awkward) toast to the Queen. In the Colonies, no less, so there's no roar of hear, hear from the crowd.

-Back with Ellen vaccuuming up in the front row; heh heh. Out comes a nearly-unrecognizable Reese Witherspoon with long hair. Leo, who's one of my favorite actors--even more so with his environmental activism; Ryan Goslin, who I know nothing about; Peter O'Toole, who's literally from a different era--Lawrence of Arabia was made in another Hollywood; Will Smith who I've also liked; and Forest Whitaker, who I also like, and of course wins. Wow--what a great moment for him. He reads touchingly from notes. He gives such a heartfelt speech about how far he's come that has many of the audience in tears. This is a real, serious moment for him; no flippancy, just absolute sincerity, including when he thanks the people of Uganda, his family and his ancestors.

-Some real heavyweights--Coppola, Lucas, and Spielberg next, to give the Oscar for directing, which means Marty must win. Wow, what talent; they do a funny bit spotlighting Lucas never having won. Scorsese, of course, wins; the crowd goes wild, he's totally animated, and you know this is one of those moments they'll be replaying for years. It's so nice they got his friends up on stage with him; gosh, to be a fly on their wall tonight. He appopriately thanks Andy Lau's original Hong Kong film (which is better in my opinion, this isn't one of his best films); what a class guy, you wish Hollywood could all be like him.

-Jack Nicholson and Diane Keaton, with him playing his usual alpha male role, to present best film. And, of course, The Departed gets the Oscar. Really--it wasn't that great of a film; Marty watches, oddly, from backstage as some tone deaf British producer guy accepts and drones on, he really should just hand his time to him. What a strangely deflating end to the evening.

-So it ends, 17 minutes late. I finish 16-8 in my Oscar pool, having picked 5 of the 6 major awards correctly (missed on best supporting actor). I liked Ellen, and am left hopeful that Hollywood still has people who know how to do things properly.

The great movies once upon a time could be counted on be appopriate--things were subtle when they needed to be, epic when called for; the right words in the right places by the right people.

Now, a lot of people are making it up as they go; and it shows. We need more Leos, Kates, Whitakers, Hudsons--and Martys, even in an off year.

Paging Eddie Haskell

Like when the whale visited Parliament, there's nothing like an unexpected animal story to get urbanites all excited: After 200 Years, a Beaver Is Back in New York City .

Anahad O'Conner in the Times: A crudely fashioned lodge perched along the snow-covered banks of the Bronx River — no more than a mound of twigs and mud strewn together in the shadow of the Bronx Zoo — sits steps away from an empty parking lot and a busy intersection.

Scientists say that the discovery of this cone-shaped dwelling signifies something remarkable: For the first time in two centuries, the North American beaver, forced out of town by agricultural development and overeager fur traders, has returned to New York City.

The discovery of a beaver setting up camp in the Bronx is a testament to both the animal’s versatility and to an increasingly healthy Bronx River.

A few years ago the river was a dumping ground for abandoned cars and rubber tires, but it has been brought back to life recently through a big cleanup effort.

The biologists who discovered the beaver say they have nicknamed it José, after United States Representative José E. Serrano of the Bronx, who has directed $15 million in federal funds toward the river’s rebirth.

Wildlife Conservation Society image of 'José' via the Times.

Women set the mark

Time for the top 12 women to take the stage--or, as Ryan insists on calling them, even after FOX changed its promos, girls. Um, yeah, I'd like to see him tell Lakisha she's a girl just like her 3-year-old.

He lies and says we had a pretty strong start to the competition last night, despite what the judges thought. They play some games with the editing to try and come up with some coherent themes; hmm, maybe media literacy classes should start using AI. Blake and Chris are painted as the big winners from last night, along with Phil.

The women, some of them looking a bit scared--but not Lakisha!--come out, Ryan plays up his host role, quizzes the judges. Keeps asking Simon if Chris got under his skin, it's dumb and just goes on for too long, at some point Simon tells him you're already being obnoxious. Ryan is getting very full of himself, he needs to realize he can be replaced by any of a large number of people. Like Ellen Degeneres--how has she not at least been a guest judge already?!

Stephanie Edwards up first, who really hasn't been shown at all. Looks put-together, has gotta do well tonight or else she's gonna be out early. Hmm, nice top and skirt, but seems nervous, voice shakes a bit--and continues that weird trend of doing old songs. Big voice, kindof a classic singer--it's a good performance, I'm not wowed by it, but that may be more because of the song than anything else, it fits her but just not great to my ears; nice big finish. Randy likes it, says already it's much better than the boys. Paula likes it; SImon says you were a million times better than anyone we saw last night, and it was the best you've done, and it seems like you came out to win. It's too bad--my guess is like all the other talented african american females who have great voices, she's gonna be off the show before her time. She's just not interesting or different enough.

Back, Ryan chatting with the ladies, it's a waste of time, he's not very good at this, is too strong a presence when he needs to draw them out and make them comfortable. Amy Krebs, who I think will be gone quickly; has an odd look on top of not being featured before. Hmm, but when she sings, she starts better than expected--classic dress, hair looks good. Eh, voice isn't very good though; ordinary, even if she's slow/controlled. I Can't Make You Love Me--just boring; cracks on the ending. Randy is like it was boring and middle of the road, Paula didn't like it either. Simon says you were like a candle, not memorable at all, you gotta stand out. Paula defends her a bit, says she will, she's capable of it. Odd, Amy totally agrees--eh, why didn't she do it then if she knows it. Simon rips on her again, everything is forgettable--hair, dress, all.

Leslie Hunt, who I also think will be out early. Seems a little odd; and quite possibly clueless. Seems to have a self-confidence problem in the tapes. Strides out in dress and high boots, doing Natural Woman. Very odd movements; and voice isn't that great. Totally like something you'd see in a bar--it's like she does the same 'dance' move over and over, on autopoilot. Nobody's gonna vote for her; she's just happy to be here. Randy says he was hoping for greatness, but the song was too big for you, stop taking on these powerhouse songs unless you can knock it out. Paula says you did a great job, but watch the songs that you pick; Simon says it wasn't great, you're nice girl--and you're a dogwalker--but you look embarrassed and ungainly when you're performing. I totally agree. Oddly, Randy appeals to Ryan to say something--he says I understand what Simon's saying, that she's out of her comfort zone.

Sabrina Sloan, who like everyone esle so far tonight hasn't been shown much if at all. Again, she'll need to totally stand out, else she'll be gone early. No coasting for these non-fan club contestants. Odd look, super-frizzy hair; white top and leggins. Lots of attitude, and a very bluesy, powerful voice. Kindof shrieky though; hard to understand some of the upper register. Plays a bit with the audience, she's definitely giving it her all. Best performance of the night, audience is really into it. Nicely done from a performance point of view. Randy likes it, says that's the way to do it, the one to beat so far. Paula likes it; Simon says you really have a desire to win, the best one so far. Tells Ryan she's watched the show for five years, so knew to go for something up-tempo.

Now, Antonella Barbra, probably the most anticipated performance of the night in terms of people wanting to see if they can legitimately hate on her. She comes across pretty well in the tape; red top, jeans, in a chair. Nice ballad--antithesis of Sabrina's strategy, but she has the voice and the look to pull it off I think. Mmm, a bit off-key. She's pretty--and her mom looks exactly like her; vocal quality isn't great, but she clearly belongs. I think she'll be around into the top 12; ugh, has some more pitch problems down the stretch. Randy asks her what she thinks, she says maybe you can see my nerves; Randy says it was pitchy, bland, not good. Paula says not bad, some pitch problems, look amazing; pick better songs. Antonella's polite at least, says thank you. Simon says the song was too big for you, seriously damaged your chances of sticking around. Simon historically likes to push down people when he knows they're not really at risk. She asks for advice after Ryan gives her a chance to yell; Simon says do pop songs. I like her; she has a good attitude, without her stupid friend.

Jordin Sparks, who I like--just 17, looks older. God, what's with Ryan--he's like grilling her before she goes on; she handles it really well, though, good poise. Total likeability, has a peppiness and happiness to her, startingly poised. Ah, a great song choice, Give Me One Reason, perfect for her husky voice; black/white top, jeans. Man, she's really smooth, a totally natural performer. A little sedate, maybe; but then kicks it up--totally takes off near the end, she plays to the crowd, and ends on a great note--I like her. Randy says you can sing even better, you've got a ton of talent; Paula likes it, echoes natural talent line. Simon says yeah, you have a great, great voice; push yourself, you may surprise a few people. She tells Ryan she likes it up here, a lot of spunk. They do a bunchof funny body mirroring things, Ryan is obsessed with size.

Nicole Tranquillo, another of the rarely-seen. She says she thrives on being really busy and getting no sleep; comes across as sincere. In crazy silvery shirt, jeans. Weird song choice... and very odd facial expressions. Like a white girl trying to be soulful, it just seems herky-jerky and is a bit painful to listen to. She's obviously trying to bring it, but it's freaky and odd, seems angry and screechy. Randy is laughing, didn't like it, not your vibe, too rough. Paula asks the guys what they thought, they're all yelling, she's like you hit some tough notes--maybe not the right song, but you can sing. Simon calls it indulgent, aggressive, unnatural, looked fake, over-rehearsed. Too urban, says Randy at the end.

Haley Scarnato, another barely-seen, in a classic black pantsuit outfit, even jewelry. She could either be totally normal, or smart. I don't think her voice is that great, from the tapes. Hmm, Celine, It's All Coming Back to Me; it's totally normal. She can hit some notes, but just seems okay. Although she sells it pretty well; a bit flat or too husky. Why do people insist on doing these songs? Randy gets totally booed by someone as he starts saying it was okay; Broadwayish voice, just nothing special with the song. Paula's like it was nice, already heard during Hollywood week. Simon says you sounded 40, a bit like being at a reasonably good hotel--you should sound younger, you actually have a good voice. She's gracious at the end, but then says will stay true to myself, I love that song, it's my style. Ugh... this show is not about indulging yourself--it's about becoming the best singer you can be.

So tomorrow--Fantasia's performing. Cool; next, Melinda Doolittle, who's now 29; another one I've liked from the get-go, is like a real adult living her dream. In leather jacket, jeans--is into it right away, messes with the audience. Seems a little nervous, big eyes; not crazy about song choice, Since You've Been Gone, in that I don't think it's that pleasing. But fits her style to a T. If this is what she's like, she isn't a contender to win. I mean, it's good, but I'm not moved. Randy likes it, you blew it out the box, that was the bomb. Paula of course gushes; Simon is like you have a lot of talent, no arrogance, unlike some of the others--you're a fantastic person and singer, really hope you do well. I do too, but fear she won't--unless, of course, some of the adults out there start voting.

Alaina Alexander, another one I liked right away, jeans and a black vestish-thing; again, Ryan's like asking if she's nervous. She comes across well, works at a pizzeria; apparently crys easily. Mmm, a good performer, is totally flirty and confident and just giving it her all; audience is really into--husky voice, lots of energy. Actually sounds a bit flat, like she may have a cold; but good personality. Randy's like it was just okay, Paula says you didn't make it your own or go for it. Simon says it wasn't special, tough to make this song your own, you're gonna be reliant on your looks at the moment, not your voice. Ryan is like her advocate, this is odd; Simon asks Ryan if he's trying to date this girl, it's pretty funny actually. God, the advice segment just goes on forever--okay, move on.

Gina Glocksen, who I possibly don't like--odd look to her, may have been one of the mean girls in Hollywood. She has no chance, but oh well. Black top/jeans; she has a very different voice, I kindof like it so far--nice, slow start to All By Myself, then really swells out the chorus. I'd say a pretty good song choice, people are quiet and listening, it's like she's sharing something with us. And then she nails the high note, holds onto it, and shows a lot of passion down the close. Okay, I have to like her based on this. Randy says big girl, big voice, big song; surprised by her, nice quality. Paula says good choice, shows off the voice. Simon says unexpected, didn't quite nail the big note--gets booed, and ugh, Gina's a bit chippy with him. She tells Ryan she was a 6 confidence-wise, and now is a 12... hmm, her personality is gonna get in the way, too caustic and negative for Idol.

Last up is one of my absolute faves, LaKisha Jones, doing Jennifer Hudson's song. A bank teller from Michigan, just a straight-forward adult who's looking to make it; years of singing in church, never being able to make a living off what she loves to do she says. Yeah, some people need this competition more than others. Wow, huuuuge voice; big red dress too; it's kindof a risky choice to compete against Hollywood, but she totally puts her all into it. A bit too nuts for me maybe, but you gotta admire her passion, and crowd respects her for it. Man, an amaaaaazing finish; just nails it out of the park. Definitely the best single moment of the night, and of the round of 24 so far; Paula gives her a standing O, as does the audience; prolonged applause. Randy says that was great, another standing O from the crowd. Paula this is where you belong; LaKisha is just looking humble. Simon says he's very tempted to tell everyone else to just get their plane tickets and go home, that was in a different league. Yeah, LaKisha! Best singer doesn't always win, though--maybe churches can band together and vote for her. And her daughter turns 4 today.

Chatter at the end to fill time; they have quite a bit of it to fill, actually. Simon says LaKisha's thrown down the gauntlet, a few others also above everyone else.

Ah, Idol. There are two kinds of competitors--those who watched LaKisha and hated her for making them look second rate; and those who loved just the musical experience of listening to her. It'll be interesting to see how everyone reacts to LaKisha from here on out.

LaKisha Jones
Jordin Sparks
Sabrina Sloan
Gina Glocksen
Stephanie Edwards
Antonella Barbra
Melinda Doolittle
Alaina Alexander
Haley Scarnato
Nicole Tranquillo
Leslie Hunt
Amy Krebs

Twelve singing men

So American Idol is back for real, with the top twelve guys kicking it off. Ryan opens trying to be manly, slapping hands with the contestants as he sprints down a staircase. The effect is comical, on both his and most of their ends.

They introduce the slicked-up guys one by one; I'll tell you right now Phil Stacey is in danger of going home, unless he can sing. Oddly Ryan starts off asking Randy how he's reacting to the heat he's been taking--okay... Randy of course asks what heat. Then Paula's 'grilled' about whether she feels a need to be more supportive; followed by Ryan and Simon with a bit of normal alpha male posturing. Flashback to all the guys from their auditions; then the first of what I'm sure will be many, many commercials over the next couple of hours.

Back with a look at Rudy Cardenas' 'journey'. He's originally from Venezuela, and is a pro musician in LA. Seems like a nice guy, maybe kindof boring. Simon actually says that on the tape. I think he'll be cut early (again, unless he can really sing). Then he sings--ugh, not very good. Sport jacket, target t-shirt; singing first, and poorly, without much of a buildup from AI producers, is a formula for quick elimination. Just bland. Randy says it was really corny, any bar in America. Paula says you were fantastic; Simon interrupts her, and then goes after him--never heard you do anything unique, no distinctive voice, and a boring song. Rudy tries to shrug it off, get the crowd on his side.

Ryan chats with the guys, Chris Sligh talks about everyone looking pretty. Ugh, okay--per usual he's just trying too hard. Ryan messes with Chris Richardson a bit. Brandon Rogers goes next, Ryan says he's done backgrounds for everyone from Christina Aguilera to Usher--wow. I like him; clips show he's humble, plus a great voice; and a nice smile. Nice greyish shirt and jeans with big white belt, does something slow and controlled that picks up halfway through. Kindof a mellow song, lacking some energy--good voice though. I don't know about song choice... halfway through hits a few notes; I think he can do better though. Randy says maybe not best performance, a bit pitchy, kindof odd--and don't worry about doing so much with the song. Hmm, Paula agrees with Randy, do better. Simon says a safe and predictable song to do. Funny that every year everyone makes the same mistakes--the first round it's usually obvious which couple of guys are at risk, everyone else should just take a swing at it. He admits to Ryan he purposefully picked a comfortable song; then Ryan engages in some pretty cheesy banter.

Sundance Head steps up next; this should be interesting. Again, all the audition tapes set up such high expectations. I like him too, pretty up-front about being nervous and then embarassed in Hollywood. Nights in White Satin... in gray sportcoat, kindof an odd look for him, very nightclubby. But good tone on the song; nervous smiling, but vocally I think it's a good performance for him, shows off his range a bit even if not the countryish pick you'd expect from him. Randy says go back to your bluesy vibe, off-pitch the whole time. Paula doesn't like it either, and Simon says you've lost it, didn't like you tonight as Sundance turns bright red. Poor guy.

Paul Kim up next, with a good, muscled look, Asian-themed. Of everyone so far, I'm rooting most for him. He talks about always being barefoot... he should meet Zola Budd. Says he want people to be shocked, surprised by his singing. Odd song choice--he sounds like he's slurring words or something, not very distinct. Tries to get the audience into it; good stage presence, pretty confident, as the song goes on he loosens up a bit; ooh, hurting on the falsetto part. Kindof an uneven performance, I'm afraid. Randy says started pitchy and weird and stiff; falsetto didn't work, but still a lot of potential. Paula points out he's a bit nervous, oversang but hope people remember your earlier auditions. Simon says put your shoes on next week; too much of a thing; just an ordinary song, a 3rd rate version of George Michael's song. Ryan's got his shoes off now too, this will all only help Paul--Ryan starts talking about his own pedicure, then asks the panel to sum up the night so far, Simon says everyone's playing it safe.

Chris Richardson, who I think will sing well tonight. Says he takes the Justin Timberlake comparisons as a compliment. He seems like his own person, which will serve him well. In sportcoat with loose tie, gets the crowd rocking right away, loose, sings well--good song choice, this is very good. Does some dancing, man, he's really quite good as a performer. 'I don't want to be anything other than what I've been trying to be lately.' Totally seized the moment and made it his own, nice job. Randy says he feels like the show just started, not your best performance but made it work, just take it further. Paula likes the arrangement, pokes fun at his dad's dancing. Simon rains on the parade, like you as a person and your audition but your voice sounded very small, vocal wasn't good. He's right probably, but as he adds, overall people will like you. Ryan gives him a chance to shoot back at Simon, he kindof sidesteps it. Smart.

Back with Nick Pedro, who I've liked from day one. Nice guy, Ryan tries to get him nervous; I think he'll do well tonight. Normal outfit, grayish shirt and jeans. Slow, soulful song; shows off his tone, hmm, I'm enjoying this, I Will Be Your Man. A bit cheesy, but his voice fits the song; nice falsetto, the girls are literally swooning (well, a couple of them). Nice big smile at the finish. Randy asks if you were really nervous, says it wasn't good for him, really boring and pitchy, feel like the good Nick was lost. Paula agrees, kindof fell flat. Simon says I actually didn't think it was that bad, gets a big cheer--you're very nervous, but a very charming guy, didn't think your voice was too bad, and think you'll definitely be back next week.

Halfway through, Blake Lewis next. His beatboxing in Hollywood was quite good with the group; but he realizes he's here to sing. On a stool, in sweater vest--ugh, sounds like he's totally off-key, doing Somewhere Only We Know. Kindof an interesting song choice, seems pretty difficult, actually, but he comes across as being at ease. Odd look for him, actually, he should be more counter-culture. Very pitchy, actually; strong voice though, this is the kind of performance experts might say is quite good. Randy is like I was shocked at the song choice, but kindof dug it. Paula totally liked it, odd song that we'd never have expected but vocals spot on, unexpected choice. He has an odd accent... almost like he's British. Simon says not the best vocal ever, but you're the first person to come out and sound contemporary tonight, by far the best performance tonight.

Back with Sanjaya Malakar, my favorite, who I think will knock it out of the park tonight--he doesn't seem the type to let nerves get in the way, just lets it all hang out. Cool in gray shirt and jeans, Ryan asks about her sister and if she's supporting him with all her might, he says of course, family always comes first. Kindof shy voice talking to Ryan. Boy, he's really soft-spoken, says he just got his GED. His sister is quite attractive; he says he felt like half of him was gone when she was cut, knew he'd have to work that much harder to represent her. A lot of new footage of the two of them together. Kindof an odd song--like he's trying to be a 70s lounge singer, at 17 that's hard to pull off. But nice, pure voice, even if he does seem nervous, pretty feminine too. I don't like the choice, too slow, needs some more energy. Second half is better--but a bit Constantinish, playing to the cameras almost too well. Randy says it wasn't very good, trying to tackle a Stevie Wonder song--not even remotely close, very bad. Paula says you're a sweetheart and an easiness, but wish more personality and force came through; Randy chimes in song was too big for you. Simon says it was the most dreary performance we've had all night... piles on, actually I agree with him, pretty disappointed. Boy, he really rakes him over, says it was just dull. Sanjaya makes a joke out of it, I appreciate his honesty. There's a protracted discussion about him being the youngest guy and not as experienced, he really seems quite smart and quick on his feet. He'll be safe, has a good base already. Oh well.

Chris Sligh, who I find okay. He claims his strengths are strategy and song choice... apparently he thinks he's on Survivor. In typical gray shirt, tie, jeans; pretty good voice and nice energy off the bad, too bad he looks so goofy. Totally in command on stage though, good presence, no nerves at all. Pretty professional performance. Randy says you were rushing a bit, ahead of the beat, but nice job. Paula says you had a great time, good. Simon says I like you, but felt like I was at some weird student gig. Ryan jumps in for some reason, winds up saying he doesn't like Simon calling him sweetheart, it's all stupid; Chris attacks Simon, then Simon gets back at him for his Teletubbies slam by saying you could do that. Simon tells Ryan he's made this uncomfortable, and he's right. Very odd moment.

Back with Jared Cotter, who says he's from NY, can handle the judging weirdness. Nice, clean-cut guy; cool adult vibe, like he can handle himself. Appropriate look, shirt and jeans. Plays with his song, pretty soulful and relaxed. Boy, this is quite good; You're the Only One for Me. Has the guys up top swaying; audience is into it, boy, this is quite good. Bit pitchy on the high parts; it's like he's pushing through the song with sheer will--then redeems himself with a nice falsetto. Randy says a tough song, but good except for the ending; Paula wanted something more up-tempo. Simon says unadventurous, a bit nasal, but you look good; nobody's going to be raving about the vocals tomorrow though.

A.J. Tabaldo, who seems a bit like a kid after Cotter. Nice big smile, though, and sincere guy. Bucks the trend with a light-colored shirt, jeans, collar up. Simon I predict will use the bad cruise ship line, it's ok, but a bit bland, nothing so special. He may just be like that, though. Paula's dancing in the back as he sings; and the audience seems to be getting into it. Good stage presence, but I don't know, seemed allright to me. Randy says it was fine; Paula says you can definitely sing, a big fan, just go for it more. Simon says it was okay, kindof a theme park performance, predictable; choose something more daring--maybe you're better than I originally thought, though. Which Ryan calls his compli-diss. AJ seems relaxed talking to Ryan, I like him.

Last up is Phil Stacey, who says he's an active-duty U.S. sailor. Wonder what that means.... Seems like a smart guy, though; hmm, starting to warm to him watching his tapes. His wife and new baby are in the audience; that's cool. Hmm, seems nervous, swallowing his words. Slow and soulful, then suddenly kicks it up a bit, pretty intense guy, bit like Chris from last year. And his wife is just beaming. I think he'll be gone soon, not sure he has a natural following. Eyes are either nice, or a bit nuts. Randy says rough start, but it was the best vocal of the night, in-tune, on point. Paula agrees. Simon--start was totally monstrous, thought it was okay, not the best. Compared to people in the past like Chris Daughtry, it was just okay. He has a good attitude, says he agrees with Simon, is gonna put a lot of work into it. Randy does a whole what are we, chopped liver bit, claims he's changed his mind.

So weird, at the end Ryan asks Simon how comes he's being so negative. Simon shoots back at Ryan that unlike you I respect the audience at home, and don't believe in patronizing them and lying to them. Then takes another few shots at Ryan and his radio show. Heh heh.

Nothing memorable tonight; like most years, everyone's a bit nervous at this point, just wanna survive. Curious to see how the women do, so far I don't feel like there are any great guys.

Chris Richardson
Jared Cotter
Nick Pedro
Blake Lewis
Chris Sligh
Sanjaya Malakar
Phil Stacey
A.J. Tabaldo
Sundance Head
Brandon Rogers
Paul Kim
Rudy Cardenas

How big, by the way, is Idol? Check out these paragraphs from Bill Carter's hilarious piece in the Times, For Fox’s Rivals, ‘American Idol’ Remains a ‘Schoolyard Bully':

Last year at this time, five weeks into its season, “American Idol” was roaring along as television’s most-watched show, with an average of 31.7 million viewers (up substantially from its fourth season, when it averaged 28.3 million viewers over the same five weeks).

Improbably, this season the show has done even better, averaging 33.5 million viewers over its first five weeks. For perspective, at this point “Idol” could lose half its audience and still rank among the top 10 shows on television. And no one dares predict when this phenomenon will fade.

“Idol” is creating ever more powerful shock waves. A growing number of television executives have begun to regard “American Idol” as a programming force unlike any seen before. Jeff Zucker, the new chief executive of NBC Universal, said, “I think ‘Idol’ is the most impactful show in the history of television.”

Cut to 24

Well, here we go--American Idol goes from 40 to 12 guys, 12 women tonight. Sitting inside Pasadena's civic auditorium; this is definitely the most staged of the AI shows, but also one of the more fun.

They waste no time, start with Sanjaya Malakar, who's my favorite. Great voice, great guy--he talks about his sister not making it, they show him crying! Big smile, same great hair. The judges like him, it's pretty clear--no surprise as he makes it. He's kindof gawky about how he celebrates, sister is there to hug him.

Anna Kearns, the really tall one; she tells Simon she heard his giraffe comment. Randy tells her you didn't make it--she thinks that he's kidding her, can't believe it; apparently she thinks she's unique enough to make it without a great voice. Oh well.

Bernard Williams also doesn't make it; people are surprised. Eric Davis--who we've never seen--is out; wow, and Tami Gasnell, the cabbie who I liked, is out too. Now, Melinda Doolittle, the background singer who everyone likes. Simon fakes her out, tells her she's good enough and makes it through. Unanimous he says; big cheer for her.

Brandon Rogers, who I liked as well, the 'Alvin from Cosby Show' guy. Just a big smile, nice aura. And he's through too, cool. Wow, action-packed first segment, glad for the commercial break.

Gina Glocksen, who I don't think I liked in Hollywood week, I think she was mean to the Colombian chick. Hard to tell though, some of these people look different every time. She makes it, I think; Paula tells her, she's totally surprised. Good for her, she's genuinely happy and surprised, takes off her shoes and sobs down the elevator. Hmm, wearing a lock on her belt loop?

Jimmy McNeal (little fun Ruben) is out, I liked him; Errick Johnson too, who I don't remember seeing. Both guys are pretty stoic about it. Halely Scarnardo, who we're seeing for the first time. Her clip from Hollywood week doesn't seem that great to me, but the judges seemed to like her. And she's through. Hmm, seems odd pick to me.

Philip Stacy, whose wife gave birth and who I had a good feeling about even if I didn't think his voice was great, makes it through. He's totally relieved; SImon's been giving these funny grins, he really enjoys this part.

28 left to find out their fate; including a glimpse of an attractive Asian American woman I don't think we've seen. They flashback to what the guys did on their off day in Hollywood, apparently they got a sneak peek of the Simpsons film, they got to go to the studio.

Chris Sligh next, he'll definitely make it--makes a lame joke as he shows up. He does have a nice voice, I didn't pick him before but may start rooting for him. Simon tells him you're through, even if you're not one of the better singers.

Blake Lewis, beat box boy from Seattle, another person who I didn't necessarily like the first time around but who's grown on me. Simon puts him through, he tries to mess with him but it's obvious. Thomas Lowe is out, never really saw him. Rudy Cardenas, who along with the other three were in that good group in Hollywood, makes it too. His peeps are there to see him make it; interesting, the guys are definitely weaker than the women, once again. Wonder if their little threesome will last.

Paul Kim, who apparently is always barefoot--that's his thing, he says; along with a pair of underwear he always wears on cut day. He's got a good voice, from the Hollywood clip, and a soulful look. I like him; he's very nervous, split decision Paula says--and he's in! They show him and Rudy palling around.

Jordin Sparks, who I like, the daughter of a former NFL player. Not the best voice, but great personality. And she's in, too. Is totally freaking out in the elevator. Olivia Quiba-Hurst (the asian american girl), Tatiana McConnico, Monique Vieras--all three are cut quickly.

A.J. Tabaldo, who we haven't seen before, and was apparently auditioning for the fifth time. Not an impressive Hollywood clip; but he's in. Big smile, seems like a cool guy. I gotta tell you, so far it seems like a pretty diverse group of guys at least, it's like what California looks like.

Stephanie Edwards makes it next, I don't remember her--not sure she'll be around. Leslie Hunt, who I also don't remember is next; she seems older, pretty nervous, makes it; kindof an odd, pale look to her. Man, I had forgotten how many of the top 24 we meet for the first time on this night.

Nicolas Pedro, who quit last year and who I like--seems very sincere. And he makes it this time; maybe he shouldn't have quit last year! Back from break with Pedro calling his sis, she freaks out. Man, he's definitely gonna build a following.

Alaina Alexander, who I remember liking from Birmingham although I didn't put her on my list of likes. She's really nervous, I think she made it based on how the judges are treating her. Hmmm, I feel like she could be a wildcard; not the greatest voice, but a good voice, and I remember she's very polite. Seems to give it her all. Randy messes with her a bit; waits forever; but she's in. She tells them I'll work so hard; asks for advice, Simon says blow your nose.

Chris Richardson, who they're selling as a Justin Timberlake-like. He's in; I thought he was okay. Sabrina Sloan, who we've never seen before; kindof an interesting look, really frizzy hair. And she's in, Paula shoots Simon a look for messing with her a bit.

Jerome Chism is out, we've never seen him before. Joelle James is out, we've never seen her either. Matthew Buckstein, from last year, is out. Princess Johnson is out too, again--never seen.

Room is dwindling; Lakisha Jones, who I liked. I predict she'll make it, based on the pacing and timing of her appearance tonight--not surprisingly, she nailed it in Hollywood, had people on their feet. She's very proper with the judges, a good person who does her best. Back to working at the bank if she doesn't make it, she says; starts crying while she's waiting. Simon uses the standard I'm sorry to tell you you're going to be seeing a lot of us. Shakes hands with the judges, big smiles form all of them--Simon tells her at the end you're a great singer, they're really trying to help her build a fan base.

Down to seven--first is Nicole Tranquillo, who we haven't seen before, but I immediately like based on the way she sings. And she's through, seems like a cool person. Next is Jared Cotter, who I don't think we've seen. Clean-cut guy; kindof a fun look on his face; and he makes it. Big tall guy, nice presence.

Amy Krebs, who we haven't seen; has a good voice. Makes it. I really do think FOX holds back on showing some of the stronger singers, to let the weakers ones build a fan base so it's a closer contest.

Marissa Rhodes, who we haven't seen before. Four people left--for two spots. They send up Marissa Rhodes--who we haven't seen--and Antonella Barba, people are supposed to either root for Antonella or against her, my guess is she'll make it. They hug on the way up. Wow, Marissa has a good, strong voice though. They show Antonella messing up; which makes me think actually she'll definitely make it. And she does. Seems less jerky without her sidekick, although she gives the camera a kindof snarky smile. Marissa is just sobbing in the elevator, this is so hard to watch, Antonella is trying to cheer her up, but Marissa isn't having any of it--afterwards she's really upset. Boy, they're really setting Antonella up as the villian this year.

Sundance Head against Thomas Daniels, I think Sundance makes it--although I do remember liking Tommy's tone. Tommy is smug, Sundance is a nice guy. And Sundance makes it; Tommy is surprised. He takes it hard, but shakes Sundance's hand, swears a couple times for how they set it up, flicks off the cameras. Awkward moment afterwards with Tommy and Sundance and Ryan.

And now--the top 12 women; doing that dance thing, which is always fun to watch--Jordin looks good, Melinda not so much, nor Gina, or Amy--and Leslie looks totally nutso. Top 12 guys; Jared smooth, Chris too; Rudy kindof weird, and Chris definitely odd. Blake's got something extra; as does Sanjaya, for sure.

From my list last night of who I liked, I only lost Jimmy and Tami (Henry and Sarah already having been cut).

So--this is who I like for the final 12, in order of who I liked best.

-Sanjaya Malakar, Indian American brother
-Lakisha Jones, Mandisa-like
-Jordin Sparks, daughter of ex-Giants player
-Nicolas Pedro, who quit last year
-Alaina Alexander, polite girl
-Paul Kim, tunnel-voice guy
-Sundance Head, beard guy
-Melinda Doolittle, professional backup singer
-Brandon Rogers, 'Elvin from the Cosby Show'
-Nicole Tranquillo, cool vibe
-Blake Lewis, beat box boy
-Chris Sligh, curly comedian

Chris Richardson, aka Justin Timberlake, and Jared Cotter, tall clean-cut guy, may also make it in for the guys--I like both of them, so that would be cool. For the women, Amy Krebs, who had a good voice and I liked, and Antonella Barba may make it--which actually I'd be cool with, I like underdogs and FOX is definitely setting her up as the bad girl.

Yesterday's world

There's an interesting article in the current New Yorker, Whatever it Takes, about the FOX show '24.'

I've only watched one episode, the season premiere last year, but instantly disliked it--the show struck me as quintessentially Hollywood it that it tried hard to be 'real', but was actually dumb at its core because very few people in Lala land have a sense of things like politics and international relations. It simply felt unconvincing and frenetic to me, and had a clear political agenda to boot.

Based on that viewing, as I wrote about a year ago, and what I've read about the show, I think the show's actually trying to push Americans toward the Bush administration's worldview, namely that unless we both torture people who are the 'obvious' bad guys and exercise unceasing vigilance against those who say they're friends, the terrorists will win and America will lie in ruins. I'd respond it's more likely we'll pull the country down by acting un-American.

Add to this paranoid worldview the artificial device of a ticking clock, and you've made Americans comfortable with a world where driven by adrenaline and fear they're screaming at the 'good guys' to hit the bad guys harder and faster. It's pretty scary that the article finds some viewers of 24, who happen to be servicemembers serving in Iraq, not only buy into 24's worldview but have apparently tried to replicate things they've seen on the show in their day-to-day military actions.

Reading the New Yorker piece you're not surprised to learn that Joel Surnow, the co-creator and executive producer of 24, is a friend of the odious Rush Limbaugh, and a pretty vocal arch-conservative who's well aware of the effect his show has on America's pscyhe.

There's also this telling section:

This past November, U.S. Army Brigadier General Patrick Finnegan, the dean of the United States Military Academy at West Point, flew to Southern California to meet with the creative team behind “24.” Finnegan, who was accompanied by three of the most experienced military and F.B.I. interrogators in the country, arrived on the set as the crew was filming. At first, Finnegan—wearing an immaculate Army uniform, his chest covered in ribbons and medals—aroused confusion: he was taken for an actor and was asked by someone what time his “call” was.

In fact, Finnegan and the others had come to voice their concern that the show’s central political premise—that the letter of American law must be sacrificed for the country’s security—was having a toxic effect. In their view, the show promoted unethical and illegal behavior and had adversely affected the training and performance of real American soldiers. “I’d like them to stop,” Finnegan said of the show’s producers. “They should do a show where torture backfires.”

The meeting, which lasted a couple of hours, had been arranged by David Danzig, the Human Rights First official. Several top producers of “24” were present, but Surnow was conspicuously absent. Surnow explained to me, “I just can’t sit in a room that long. I’m too A.D.D.—I can’t sit still.” He told the group that the meeting conflicted with a planned conference call with Roger Ailes, the chairman of the Fox News Channel. (Another participant in the conference call attended the meeting.) Ailes wanted to discuss a project that Surnow has been planning for months: the début, on February 18th, of “The Half Hour News Hour,” a conservative satirical treatment of the week’s news; Surnow sees the show as offering a counterpoint to the liberal slant of “The Daily Show with Jon Stewart.”

Ailes, of course, is the former GOP operative who in his day was, along with Lee Atwater, the media brains behind the rise of Reagan and the modern right wing.

The section on Kiefer Sutherland is also interesting:

Afterward, Danzig and Finnegan had an on-set exchange with Kiefer Sutherland, who is reportedly paid ten million dollars a year to play Jack Bauer. Sutherland, the grandson of Tommy Douglas, a former socialist leader in Canada, has described his own political views as anti-torture, and “leaning toward the left.” According to Danzig, Sutherland was “really upset, really intense” and stressed that he tries to tell people that the show “is just entertainment.”

Bono has shown how much impact a celebrity can have in the real world; I wonder if at some point Sutherland will be as vocal personally as his show is on the subject of torture.

Aside from the show's metamessage about torture, there's also, of course, the whole White Male American thing, where Jack Bauer is not only the fulcrum around which everything hangs but also presented as a loner whose America's only hope. Especially ironic given how we've all seen where cowboy politics gets you in today's world.

That aspect is pretty obvious on the screen; it becomes even more so when you look at Surnow himself.

Brian Grazer, an executive producer of “24,” who has primarily produced films, said that “TV guys either get broken by the system, or they get so tough that they have no warmth at all.” Surnow, he said, is “a devoted family man” and “a really close friend.” But when Grazer first met Surnow, he recalled, “I nearly walked out. He was really glib and insulting. I was shocked. He’s a tough guy. He’s a meat-eating alpha male. He’s a monster!” He observed, “Maybe Jack Bauer has some parts of him.”

During three decades as a journeyman screenwriter, Surnow grew increasingly conservative. He “hated welfare,” which he saw as government handouts. Liberal courts also angered him. He loved Ronald Reagan’s “strength” and disdained Jimmy Carter’s “belief that people would be nice to us just because we were humane. That never works.” He said of Reagan, “I can hardly think of him without breaking into tears. I just felt Ronald Reagan was the father that this country needed. . . . He made me feel good that I was in his family.”

Surnow said that he found the Clinton years obnoxious. “Hollywood under Clinton—it was like he was their guy,” he said. “He was the yuppie, baby-boomer narcissist that all of Hollywood related to.” During those years, Surnow recalled, he had countless arguments with liberal colleagues, some of whom stopped speaking to him. “My feeling is that the liberals’ ideas are wrong,” he said. “But they think I’m evil.” Last year, he contributed two thousand dollars to the losing campaign of Pennsylvania’s hard-line Republican senator Rick Santorum, because he “liked his position on immigration.” His favorite bumper sticker, he said, is “Except for Ending Slavery, Fascism, Nazism & Communism, War Has Never Solved Anything.”

Although he is a supporter of President Bush—he told me that “America is in its glory days”—Surnow is critical of the way the war in Iraq has been conducted. An “isolationist” with “no faith in nation-building,” he thinks that “we could have been out of this thing three years ago.” After deposing Saddam Hussein, he argued, America should have “just handed it to the Baathists and . . . put in some other monster who’s going to keep these people in line but who’s not going to be aggressive to us.” In his view, America “is sort of the parent of the world, so we have to be stern but fair to people who are rebellious to us. We don’t spoil them. That’s not to say you abuse them, either. But you have to know who the adult in the room is.”

Ah, yes--WMAs are the daddies to the world, everybody needs to know who's boss or else. No wonder the show portrays China the way it does.

Oh well; I'm curious how long 24 maintains its popularity. Already, NBC's diverse ensemble drama Heroes has been beating it head to head. America's changing; the clock's ticking against Jack Bauer and his ilk, so Hollywood's one of their last refuges.

Uncredited photo of Sutherland as Bauer found in various spots online.

Brutalized in Hollywood

American Idol starts its Hollywood round with 172 contestants, and I can hardly wait. This is my second-favorite round of the show, after the final 12; in some ways, it's even better. For the first time we get to see what the contestants are really like, interacting with their peers and dealing with their nerves.

Up first, the girls--they say nearly twice as many girls as guys have made it to Hollywood. Some idle chatter, then they bring them on in groups of 6 to sing; them some are cut. Wow. Jory Steinberg up first, she can still sing really well. A bit chatty at the start, though. Geri Guyer, who we've never seen; then Kelly Caruso Lisa Morrison, Christen Itam, and Jeromishia Lemar. They show singing clips of them for like 2 seconds--and in a shocker, they all go home. Simon is just brutal; none of you can sing, there's a shriek from the audience. My gosh!

Back, with mini-feature on Perla Menses, who's vamping for the cameras and who I don't like at all. I don't like her singing either; she's like so on it's dumb. Mini-snippet of Rachel Jenkins, the army reservist, who's okay. Then four other women we've never even seen. Perla somehow makes it through, Rachel's gone. Simon tells her we're putting you through on just personality, you gotta start singing. Rachel's having a breakdown, Perla is in tears too after Simon's comments.

Bailie Brown, who they recap--and who I also am not a fan of. It seems like they're just repeating what they've already sung; she can sing, though--FOX obviously is flogging her for all she's worth. The judges like her, the audience too. She makes it through; along with two others we've never seen. Sheesh.

Ashlyn '2nd chance' Carr goes home, as Porcelana 'Rocky' Patino; and Sarah 'Didn't tell folks' Burgess--oh no! I liked her--but at least she says she made her parents proud, so she's already won. More cuts, left and right. Nicole Turner up last, I can't believe they've zipped through all this. So much drama short, when the last few weeks they've been milking everything. Turner can sing, does well; she changed her song cause she didn't wanna make her mom unhappy. Then, stunningly she doesn't make it!

Yo, this is nuts. I guess they're purposely editing to make people yelp in injustice, they're not showing how good many of the people who made it must be. Then Turner's mom goes up on stage and talks to the judges, and they let Nicole sing. Simon says it was not the song why you didn't go on. Simon walks off, Paula gets into it with him.

So Day one ends, and 56 of the 114 girls are already cut--I guess that explains why they had to be so brutal, with 58 still left for 12 slots. But then there's one line where everyone made it. Melinda Doolittle, the pro backup singer who everyone likes; and Tatiana McConnico, the singing student from NYC who I didn't like that much.

Hey, yo--they don't show what the 58 guys did with their day off! Odd, they always use that to establish personality. Sundance Head is pushed, and Brian Miller too. It's really a giant unfair advantage for these people to be profiled so much; however, to the extent FOX--like the NFL--wants some parity, where everyone is perceived as having a chance to win--they must be holding back some big guns who don't need a buildup to win fans, right?!

Jarrod Fowler, the Navy guy, gets some airtime; I think his voice is okay. Back with Matt Sato, who had said his parents didn't support him and who I liked. He says now his parents are supportive, he's really a good kid. I really like his tone; they're definitely flogging the top guys more, they're going to need to. And--awesome, Matt makes it (along with Chris Sligh), Jarrod doesn't. Matt's crying on the phone with his mom again, he's so happy.

My gosh, that's it for the guys, essentially they show one group of six? 34 made it through; it's ridiculous how fast they're speeding through this. Blake Lewis, beat box boy; Nicolas Pedro, who quit last year, Philip Stacy, whose wife gave birth, and of course Castro-like Sean Michel all make it and celebrate.

I guess they don't wanna OD us cause they're already on to the group singing part, at 8 pm on day two, with the guys and the girls mixed in the audience. Oh--they can team up with whomever they choose, in however many numbers they want?! Some people can't find anybody, one girl's crying, awww. She finds a group; Matt is having trouble, some other groups come together quicker--including Matt Buckstein, who last year was with one of my favorite guys, the singing cowboy kid.

They show Sligh's group messing with choreography; by 11 most groups are working, but Bailey's with the ugh Jersey girls and surprisingly the best friends are arguing. Bailey starts looking around as if she's gonna bolt. Gosh, choice of groups is so important.

Back to hotel, at 1 am people are rehearsing; they play up some conflicts, one involving Colombia chick; they're doing Be My Baby. Bailey and the chicks are all sexed up, having trouble with lyrics but for some reason continue working on choreography. Amanda goes off to hang out with guys... jeez; Bailey and other Jersey girl go to sleep. 3:30, Shakira chick's trying to change things up; I'm beginning to feel bad for her, she's all alone.

Again, I can't believe how much they cut this part, looking back last year this same round took place over two nights. Wonder why FOX decided to change up the schedule this year.

Drama with the chicks in the morning, Simon tells everyone don't forget the words, and they start cutting people over that! Oh no, Matt has a group (all girls) but forgets words... and he's cut. He calls his mom, no tears though.

Shakira's group is still having problems in the morning. One of her co-members is insane, says she doesn't care about anyone but herself--does she realize people are watching this?! Perla's totally off-key; the rest of them aren't much better. It's a very disjointed performance. And they cut--Perla. None of the others look very good.

Sligh does well, along with Rudy Cardenas, Thomas Lowe and Blake--wow, they stick in his beatbox skills, and it's like they've been together for years. Very good, gets a standing O. Guys just know how to get things done.

Sundance, who apparently had a rough first day, is with two chicks; he has a good attidutde about it. P'Paige Bedford, seen for the first time; Robyn Troup, first time as well. My gosh, Sundance is just horrible. What the heck happened to him?! Ouch, he can not sing. What--they put him through?! That's insane, as he himself says; I'm not an example for anyone he says, didn't know the lyrics. He at least is humble, knows he's been lucky (apparently Paula put him through--maybe one judge decides for each group?)

Back with the chickies; Antonella is okay, nothing special at all except she's attractive. Baylie forgets words, which has her mom in the audience shocked; there's actually silence for several seconds. Amanda is also nothing special and forgets words; if it's up to me all three get cut. And--Baylie's the only one cut, she's in tears and mad. The friends at least are surprised; Baylie, now solo, starts talking trash--then Amanda says she made it because God likes good people. Baylie goes after the friends, and that's it for the threesome. Gosh, I really dislike the Jersey chicks, they're smug and not talented.

A bunch more people get cut; just 56 people are left, and now they're put in three rooms to cut to 40. It's all like a blur; what an intense show. Each one sings, and the judges deliberate with photos on a table in front of them, horesetrading. Suddenly they're done; I think they cut Shyamali Malakar, which makes sense since they haven't shown them at all.

Ah, Malakars have indeed been broken up into different rooms. First room--Sligh's in it, I think they make it. And... yes! Makes sense, they're not gonna show two yes rooms at the end. Room 2, cab driver is here, Sundance too, Sanjaya--so... on they go! Room 3, of course, is cut. And that's it; wow. Antonella makes it, best friend Amanda didn't Sanjaya is sad, leaves the celebration to console his sister; he seems much cooler than previously thought, in his leather jacket. I'm glad they're giving him some airtime, he's probably my favorite at this point. More tears from others, some smiles.

Ah, down to 40 (last year they cut to 32). Tomorrow should be great; although it's odd, all the judges are doing are looking at everything's that's already happened so you'd think there wouldn't be as much tension as today....

So last year at this point I had eight favorites; five of them made it all the way to the final round of 12, with three of them making the top six and Taylor, of course, winning.

Here are the 12 who I like so far this year, of the ones who haven't been cut (as far as I know):

-Sanjaya Malakar, Indian American brother
-Henry Bejarano, adopted by Bolivians [rumors are that he's out]
-Nicolas Pedro, who quit last year
-Sarah Krueger, Keri Russellish hair
-Melinda Doolittle, professional backup singer
-Tami Gosnell, cab driver
-Jordin Sparks, daughter of ex-Giants player
-Sundance Head, beard guy
-Brandon Rogers, 'Elvin from the Cosby Show'
-Jimmy McNeal, 'little fun Ruben'
-Lakisha Jones, Mandisa-like
-Paul Kim, tunnel-voice guy

I think one of those 12 will be the next Idol. So far Sarah Burgess and Ebony Jointer, carhop girl, are the only people I liked who've already been cut.

Pucker up

Every time I see or read about blowfishes, I'm reminded of the time I was in a trendy Japanese restaurant in Seattle and one of my favorite co-workers ever went up--delightfully--to one of the fish tanks and tapped on the glass. At which point she was so startled by the blowfish's predictable reaction that she jumped back, only to swing back onto the glass and laughingly puff out her own cheeks and bug out her eyes in response.

The expression on the faces of the couple sitting at the table directly under the tank only added to my mirth.

Corbis photo via New York Magazine; their caption is worth checking out.

Song sung

More in the continuing series of gleanings from YouTube, with assists from Wikipedia. WikiTube?

What would you do

Everyone of a certain generation loved 'Family Ties', and remember that scene at the train station where Alex goes after Ellen, with that Billy Vera and the Beaters song in the background. I was surprised at how good the song is even on its own; in some ways this is the epitome of the one-hit wonder, the perfect melding of a voice with a song with a time.

Sukiyaki

It's always puzzled me how a song sung entirely in Japanese reached the top of the U.S. pop charts in 1963. Maybe it's entirely because of the melody, along with its apparent mix of sunniness and melancholy. The Wikipedia entry sheds no light, but does have an amusing look at what the lyrics mean and the odd and long list of artists who have done cover versions (Bob Dylan to KISS to Will Smith). There must be something inherently magical about the song.


Start wearing purple

In addition to having a great title, this is a very unusual song... it's by Gogol Bordello, which Wikipedia says is a:

Gypsy punk band from the Lower East Side of New York City that formed in 1999. They are renowned for their frenetic, theatrical stage shows. Much of their sound is inspired by Gypsy music, as most of their members are immigrants from Eastern Europe. The band incorporates minor-key accordion and fiddle (and on some of their albums, saxophone) mixed with cabaret, punk, and dub.

There's indeed a frenetic energy to the video; it sortof makes sense that they're NYers, although really, it most reminds me of a Serbian movie I once stumbled across, Black Cat, White Cat. Same mix of an almost post-apocalyptic setting and faces, which would repel you if it wasn't so interesting and unexpectedly funny. (The movie, incidentally, has one of the best portrayals of a third world bully/strongman I've ever seen--it gets the bombast combined with emptiness, cunning and low comedy exactly right).

Not the bears you should fear

Via Deadspin, this is one of those stories where, really, you just report the straight facts knowing there's nothing you can do to dress it up. There are so many things dropped in there that cracked me up.

AP via ESPN: World cruiserweight champion O'Neil Bell was arrested over the weekend after a sparring partner claimed he heaved a hatchet at him during a training run through the woods, authorities said.

Bell, 32, was booked Sunday on suspicion of assault with a deadly weapon, according to a statement by the San Bernardino County sheriff's department.

A telephone listing for Bell was disconnected. He did not immediately respond to an e-mail seeking comment.

Deputies responding to a possible fight off Highway 38 found Bell's sparring partner, 37-year-old Larry Slayton, afraid for his life with cuts from running through the brush, sheriff's spokeswoman Arden Wiltshire said Monday.

Slayton told the deputies Bell had become angry with him during a training session in the woods and threw a hatchet the boxer was carrying for protection against bears. Slayton fled, dodging large rocks Bell threw at him, Wiltshire said.

Bell posted $50,000 bail. Wiltshire did not know whether an arraignment date had been scheduled or if Bell had retained a lawyer.

Bell (26-1-1) was in Big Bear training for a March 17 rematch title fight with Jean-Marc Mormeck in Paris.

Bell defeated Mormeck in January 2006, making him the first undisputed champ in that weight class since Evander Holyfield in 1988. The Jamaican has since lost his IBF title through inactivity.

Big Bear, a popular spot for fighters to train, is located about 90 miles east of downtown Los Angeles in the San Bernardino Mountains.

Getty Images photo of O'Neil via ESPN Deportes.

The Supremes

Caught part of an interesting documentary on PBS about the Supreme Court. Didn't know how bad of a choice William Rehnquist was--seemed like your classic 70s conservative WAM, mad at losing the 60s and looking for a backlash.

Next, they look at Roe v. Wade, with a focus on the newly-appointed Harry Blackmun (Nixon put three justices on the court at around the same time). Who had three daughters.... Classic newscast, Cronkite reporting on Roe v. Wade's decision being announced; well-written, direct copy. Law prof makes the point Blackmun's opinion focused more on doctor's rights than woman's.

Hmm, interesting, Rehnquist was apparently on the short end of a bunch of 8-1 votes, got the nickname the Lone Ranger. My gosh, the court and country sure have changed. I am getting annoyed by the documentary's style of quick cuts, multiple voices running into each other. Bad way to look at a topic like the Supreme Court. Even Sandra Day O'Connor gets one sentence on Rehnquist, and that's it. There are so many talking heads, all erudite--they're trying to weave them all into a coherent narrative, I'm sure things are being taken out of context, things are being bent to make it all come out neatly.

Now they're looking at William Brennan's ability to get 5 votes. Now, a few minutes later, and it's Warren Burger. My gosh, this is really getting to me. They also have this irritating habit of shooting someone wide, then jumping in tight; again, tricky editing, the similar angles make me think it's not two cameras. And now, photo manipulation--they show justices posing for a group shot, then move three of them together to illustrate how they found common ground on a Wainwright v. Sykes. Ugh.

I mean, really, this is meant to give you the veneer of having learned about the Supreme Court, when really, I doubt anyone who doesn't already know the topic is really following or retaining much of anything. Now Reagan is sworn in, by Berger. Hearing Ed Meese talk about him is midly comical, Meese really represented the nadir of Reagan's men.

In comes the conservative tide, which made Nixon look like a liberal (in an odd way he really wasn't a bad guy--they have him telling Rehnquist essentially now that you're on the court you're of course independent, here's some advice, now good luck).

Factoid: Carter appointed more women to the federal courts than all other presidents before him, combined. Reagan's looking for a non-Carter woman for the Court; of course, he finds O'Connor, who I've always liked even though I disagree with many of her views. They bring up her old ties to Rehnquist, not mentioning, oddly enough, that even though she was #2 in their class after him, she wasn't offered any jobs out of law school, and had to start as a secretary.

They show when Berger decided to step down from the court and Rehnquist was nominated to replace him; apparently the media was totally taken by surprise. Ah, Scalia's first appearance--looking oh so young. Rehnquist has already grown into his power, much more at ease than in the early 70s. And Nino--he looks nothing more than a bright, eager young guy, was confirmed 98-0. Rehnquist was confirmed, apparently with a lot of no votes.

Hmm, talking heads say Rehnquist's elevation was greeted well by the other justices, since he ran the court well (in contrast to Berger), and they respected him intellectually. Apparently pretty down-to-earth, efficient, well-liked. And yet--it's Rehnquist we're talking about here!

Soon therafter Marshall and Brennan are gone, then Kennedy, Souter, Thomas join. And the right has its majority, right? Well.... Planned Parenthood vs. Casey is next, I think; sure enough, and maybe I'm just getting used to it, but I think the documentary's pacing has slowed, it's a little better now. Focus now is on O'Connor. Who apparently coaxed, not bullied. How lady-like of her. Sheesh; she's steel, not velvet. Before you know it, Kennedy's voted with O'Connor and Rehnquist has lost another abortion case. Analysts contrast Rehnquist's acceptance of the decision and desire to get on with the work, with Scalia's 'primal scream' of an opinion. Ah, the old Nixonian conservatives vs. the new Reaganites.

They do a thing on federalism; I do think it's interesting how far we've come from the founders, who essentially said let's spell out exactly the powers government should have, because it's obvious that the vast bulk of things are beyond their reach. There's a shot of Rehnquist and his ridiculous Gilbert/Sullivan-inspired four gold stripes on his robe; then it's off to their shot at overturning Miranda.

Wow, they got John Roberts to talk; he says something general about the chief justice's role impacting your views when you move from associate to chief, he even specifically cites the Dickerson case they're focusing on.

Hmm, seems like they're already summing up the Rehnquist court; they assert for the most part, the nation approved--citing a poll that most of the public expressed confidence in the court. Well, sure, as an institution.

And then--Florida, and Bush v. Gore. Ah, those were crazy days. Everyone forgets the AP's private recount actually had Bush increasing his lead, so even if the Supreme Court had ruled for Gore, Bush would still have won. They show the analysts sprinting out of the Court afterwards to go on TV and read the opinion; I remember Jeffrey Toobin on ABC reading the first line, saying oh, they've gone with Gore; then continuing to read and realizing he misread.

The talking heads claim people trusted the court, so even though they saw the view as partisan, they still accepted it. Uh, I don't know about that--I think we underestimate how crucial a decision Gore made to accept the ruling. If it weren't for him, we could've had a true constitutional crisis.

And that wraps up the Rehnquist court. I guess it could've been worse--but I'm not sure we fully realize how bad it was. The court's role has shifted so rightward, in part because the left won a lot of the big battles in the 60s and 70s.

I still think on the issues of race in particular, discrimination in general, where most people are deluded but strongly don't believe they are and where pockets of outright bigots have undue influence, there's nothing wrong with an activist Supreme Court that's out ahead of most of the country. As long as they're right, of course.